What’s the deal with the romanticization of the 80s?
Who gets a spot in the collective unconscious? /Content Warning: Discussions of racism and homophobia./ Thanks to a series of […]
Opinions, Volume 68, Volume 68 Issue 2
Volume 68
Science, Volume 68 Issue 2
What’s the deal with anti-vaxxers?
Exploring the impact of vaccines on mortality and life expectancy while debunking the ‘anti-vax’ narrative Vaccines have long been at
Features, Volume 68, Volume 68 Issue 2
Is the new superman movie really pro-Palestine?
The illusion of subversion: how Hollywood packages “progressive” stories Recently, the new Superman film sparked significant discussion online about supposedly
Science, Volume 68 Issue 2
What’s the deal with research funding cuts in the United States?
The true gravity of Trump’s war on science Once a world leader when it came to scientific research, the United
Features, Volume 68, Volume 68 Issue 2
Why we love the rats in our walls
The strange paradox of student apartments If you’ve ever lived in a student apartment, you already know the script: the
Poetry, Volume 68 Issue 2
Approaching the situation with misinformed caution
Want,desire,yearning,pining, craving,weight… waiting.The sickness,aching,longing.Whatever the word may be to describe the hot burning sensation that pools in your gut and
Poetry, Volume 68 Issue 2
The Bach-bowel movement: no. 2 in A minor
When melancholy strikes,and my laundry piles up,a 13-year-old bloodhoundthe size of two American footballsmaterialises between the layers of rough jeans,
Stranded, Volume 68 Issue 2
What’s the deal with all these new elements?
Only 1860s kids will understand. Last week, I was at the mall looking for a volumetric flask and a gram
Arts and Culture, Volume 68 Issue 2
« Qu’est-ce que c’est dégueulasse? »
Nouvelle Vague is no masterpiece. But neither does it want to be. Nouvelle Vaguea film directed by Richard Linklater and
Arts and Culture, Volume 68, Volume 68 Issue 2, Web Exclusive
Train Dreams
Or, the Roger’s experience of America’s making Train Dreams a film directed by Clint Bentley and premiered at the Toronto