Arts and Culture

Conflicts of Space: Review of Majid Jordan’s self-titled album

Majid Jordan, the eponymous debut from Toronto duo Majid Al Maskati and Jordan Ullman, is a nighttime cityscape with its dark, warm, atmospheres interjected by hovering buildings and their glow. The record is a veritable mood, stylistically borne of 808s and Heartbreak by Kanye West and House of Balloons by The Weeknd, using their elements to create a

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St. Mike’s last show, Asuncion, runs on unapologetically sharp and borderline discomfiting satire

Jesse Eisenberg’s comedy Asuncion opened at the Luella Massey Studio Theatre. It was produced by the SMC Troubadours and directed by Veronika Gribanova. The play is about Edgar Hirschhorn (James Hyett), a self-styled journalist who lives a socially conscious—perhaps more accurately a socially self-conscious—life on the living room floor of his former TA Vinny’s (Kirk Munroe)

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REVIEW: This Unruly Mess I’ve Made or The Heist Again?

Macklemore and Ryan Lewis self-released their second studio album, This Unruly Mess I’ve Made, on February 26, 2016. There was some advertising before the release, but it was not as hyped as it could have been after coming off their Grammy Award-winning debut album The Heist. Like The Heist, This Unruly Mess I’ve Made features

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REVIEW: American Crime Story: The People vs O.J. Simpson

True crime stories, whether produced in the form of a television series, film, or novel, have an inescapable hook for audiences that crave realism. Dramatization aside, audiences are attracted to this form of storytelling because the events are situated in a reality that closely resembles the world they live in. When Netflix’s used actual footage

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