Volume 68

Wake up sheeple?

Conspiracies and pseudoscience: how “crunchy” ideals can go hand-in-hand with right-wing politics The term ‘sheeple’ has become popular within many communities to denote groups who are seemingly “brainwashed” by any large institution. But who really are the “sheeple”? And what are they expected to believe when they “wake up”?  According to psychoanalyst Manfred Kets de […]

Wake up sheeple? Read More »

Western nations extend symbolic gesture of recognition to Palestinians

Deviation from US stance still reinforces Western-centrism In late September, Canada joined a host of European and North American nations in announcing their decision to recognise Palestine as a sovereign nation. In an effort led by French President Emmanuel Macron, these countries reiterated their support for a two-state solution and underlined the need to take

Western nations extend symbolic gesture of recognition to Palestinians Read More »

Grief, memory, and the movies

Eylul Guven in Blue Heron. Cr: TIFF Blue Herona film directed and written by Sophy Romvari, and screened at the Toronto International Film Festival, September 4–14, 2025 Affeksjonsverdi [Sentimental Value]a film directed by Joachim Trier and screened at the Toronto International Film Festival, September 4–14, 2025 After 11 long days, the Toronto International Film Festival

Grief, memory, and the movies Read More »

What’s the deal with this guy selling me stuff on the bus?

Transforming public transit into private commerce Who among us hasn’t at one time found themselves in possession of some merchandise that they needed to offload? Whether it’s a lackluster Christmas present from a lesser aunt, a couch that must be sold before an approaching moving date, or an LCD television recently liberated from an electronics

What’s the deal with this guy selling me stuff on the bus? Read More »

FELT

Blake Williams and any consistency which forms a set FELTa film directed by Blake Williams and premiered at the Toronto International Film Festival, September 4–14, 2025 Blake Williams’s recent filmography is composed using anaglyph colour filters—the 3D effect produced by a stereoscope of chromatic opposites. FELT is first and foremost 3D, and only really a

FELT Read More »