Arts and Culture

« Qu’est-ce que c’est dégueulasse? »

Nouvelle Vague is no masterpiece. But neither does it want to be. Nouvelle Vaguea film directed by Richard Linklater and screened at the Toronto International Film Festival, September 4–14, 2025 Issue 152 of the French film review, Les Cahiers du cinéma, was a tribute to the seminal French filmmaker Jean Cocteau, who passed in October […]

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Train Dreams

Or, the Roger’s experience of America’s making Train Dreams a film directed by Clint Bentley and premiered at the Toronto International Film Festival, September 4–14, 2025 Clint Bentley’s Train Dreams—an adaptation of Denis Johnson’s 2011 novella of the same title—has the same sentimentality and prodigious lens flare as an Ozempic advertisement. It’s important to establish

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Vaulting ambition o’erleaps itself in del Toro’s Frankenstein

Frankenstein a film directed by Guillermo del Toro and premiered at the Toronto International Film Festival, September 4–14, 2025 In Mary Shelley’s novel Frankenstein, Victor’s ambitions lead him astray. How ironic, then, that Guillermo del Toro’s lofty aspirations to vivify this classic novel end in disaster. With any literary adaptation, fans will naively point to

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Sometimes spectacle isn’t quite spectacular

Egghead Republic is a multifaceted film about many things. Possibly, a bit too much. Egghead Republic a film written and directed by Pella Kågerman and Hugo Lilja, and premiered at the Toronto International Film Festival, September 4–14, 2025. Speculative art often has a way of being quite . . . lacklustre. The ground mandatory to

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Is AI the future of the art world?

Examining the intertwined history of art and technology Recently, humanity has witnessed a rapid evolution in the quality of artificially-generated images. From humble six-fingered and disproportionate beginnings, AI images have become nearly indistinguishable from the hand-drawn. As AI grows more sophisticated, it continues to creep into our everyday lives. Businesses are adopting AI logos and

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Streaming killed the TV star

With endless content available, why does it still feel like there’s nothing good on TV? Despite the amount of content spoonfed to us by streaming services, it sometimes seems like there’s nothing worth watching anymore. As streaming service companies harbour more than enough data to cater to viewers’ exact entertainment preferences, TV should be thriving.

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Is your attention span longer than a goldfish’s?

Your guide to the attention recession The ‘attention economy’ has been called into question in light of struggles with maintaining focus in today’s increasingly busy world. This way of thinking about attention goes beyond psychological focus, including the political and social aspects involved with attention. While every generation has had fears that technological advancement would

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