The ouroboros of nostalgia
The 2016 trend is everywhere on social media, but the discussion surrounding the year has a major oversight.
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Arts and Culture
A lesson in obsession
The Vic Alumni Reading Series featuring Alex Pugsley
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On modern art, or the need for the physical
A case for modern art as resistance to modernity
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Why scrolling reels is exhausting
A cognitive-resource inspired take on the dopamine reward system for fast and complex media
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Grief, memory, and the movies
Eylul Guven in Blue Heron. Cr: TIFF Blue Herona film directed and written by Sophy Romvari, and screened at the Toronto International Film Festival, September 4–14, 2025 Affeksjonsverdi [Sentimental Value]a film directed by Joachim Trier and screened at the Toronto International Film Festival, September 4–14, 2025 After 11 long days, the Toronto International Film Festival
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FELT
Blake Williams and any consistency which forms a set FELTa film directed by Blake Williams and premiered at the Toronto International Film Festival, September 4–14, 2025 Blake Williams’s recent filmography is composed using anaglyph colour filters—the 3D effect produced by a stereoscope of chromatic opposites. FELT is first and foremost 3D, and only really a
Too much love for this life
A review of David Freyne’s Eternity Eternitya film directed by David Freyne and premiered at the Toronto International Film Festival, September 4–14, 2025 Death is humanity’s great unknown: we are constantly faced with the vast uncertainty of what happens when our mortal, physical bodies cease functioning. Where do we go after we die? David Freyne
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