ARTS
Review: TCDS Presents Love’s Labour’s Lost: The Musical
WD
October 18, 2017
Overall, the show was entertaining to watch, as the cast brought a lot of energy to their performances and they all sounded wonderful. Clearly, this production was all about having fun as opposed to being innovative—but no one says that campus theatre needs to be innovative.
Review: Woodshock
Harrison Wade
October 18, 2017
An uneven directorial debut finds feeling within moments of pure sensation
In Conversation with Toronto’s Feminist Art Conference
Maia Kachan
October 18, 2017
Coordinator Ilene Sova on the Toronto feminist art culture and The Women’s Kit Regeneration
The beautifully grotesque worlds of Guillermo del Toro
Harrison Wade
October 1, 2017
A look inside At Home with Monsters Too steeped in genre for the art crowd, yet too artful to be purely commercial, Guillermo del Toro has always been something of an outsider. Plucking inspiration from art indiscriminately, his movies end up looking like Vermeer paintings while telling the story of ...
A diverse exploration of identity
Maia Kachan
October 1, 2017
Photo | Grace King An overview of Toronto’s inaugural Bi Arts Festival The first annual Toronto Bi Arts Festival took place from September 22nd to 24th, 2017. The festival’s vision is stated as the creation of “an annual Bisexual Arts Festival that celebrates bisexual visibility, culture, and history.” Planned to ...
Review: Loving Vincent
Marjan Mahmoudian
October 1, 2017
A loving homage to a beloved painter Vincent van Gogh’s artistic impact on our world is undeniable. One mention of his name, and images of the swirling yellows and blues of his Starry Night flash before our eyes—seeming to come alive and dance before us. To have a film that repurposes ...
Review: Hart House Theatre’s Hedwig and the Angry Inch
WD
October 1, 2017
Forget Crews and Tangos—go see Hedwig!
In Conversation with W. Kamau Bell
Rebecca Gao
October 1, 2017
The comedian talks activism, podcasts, and self-care
Onsite Gallery presents raise a flag: works from the Indigenous Art Collection (2000 – 2015)
Hana Nikčević
October 1, 2017
An expressive, multifaceted, and crucial first exhibition from OCADU’s newest gallery